Künstler

Geng Lee

Geng Lee, a young Lyric – Baritone from China, is currently studying at Conservatory for Music and Theater in Hamburg (HfMT Hochschule für Musik und Theater Hamburg). His earliest contact with music was in the choir of his primary school. At the age of 16 he began to study in the class of Prof. Yuemei Li where he received an early professional training in Bel Canto. At the age of 19 he was admitted to the HfMT Hamburg with the first place and started to study with Prof. Jörn Dopfer. In his 5. semester he continued to study with Met-Soprano Prof. Carolyn Grace James. To growing up and developed a love for singing.

During his studies he participated as a solist in the “Christmas Oratorio”, and in the operas “Die lustige Witwe”, “Die Zauberflöte”, “Eugen Onegin”, ” Die lustigen Weiber von Windsor”. He raised the highest expectations of the vast majority of his audience and the music critics. He won the “Wolfgang-Amadeus-Mozart-Preis für Gesang” which as a history of the competition of the only young singer in Bachelor 1st semester, and the best young singer of 25th “FLAME” competition in Paris. The most recent award was the first prize in the Mahler Art Song Competition (Gustav Mahler Duo Liedwettbewerb) together with pianist Daan Boertien, and the award of the Gustav-Mahler-Association for the best Mahler song (Sonderpreis der Gustav-Mahler-Vereinigung Hamburg für das beste

Mahler-Lied). After the Yehudi Menuhin Live Now Music Benefit Concert baritone singer Christian Gerhaher described Geng’s singing ” As a classical singer, who will have a good career in the future.”

In 2015 Geng received an invitation from conductor Manfred Fabricius to participate in a charity event for refugee children given by the German Paediatricians for which he recorded the “Messe” from Franz Schubert.

Fanny Soyer

Die Sopranistin Fanny Soyer, geboren 1994 in Paris, begann im Alter von vier Jahren Klavier zu spielen. 2009 nahm sie erstmals Gesangsstunden bei Patrick Marco im Rahmen der Kinder- und Jugendförderung „Maitrise de Paris“ am Conservatoire à Rayonnement Régional (CRR) de Paris, wo sie anschließend bei Melanie Jackson im Département Supérieur pour Jeune Chanteurs de Paris Gesang studierte.

Seit September 2016 studiert sie in der Klasse von Prof. Christine Schäfer an der Hochschule für Musik Hanns Eisler und arbeitet dort u.a. mit Julia Varady, Wolfram Rieger, Eric Schneider, Thomas Quasthoff zusammen. Im Juni 2018 übernahm sie in der Hochschulproduktion „Dido und Aeneas” von Henry Purcell die Partie der Dido. 2019 schloss sie ihr Bachelorstudium erfolgreich ab. Das erste Semester ihres Masterstudiums verbringt sie an der e Royal Danish Academy of Music in Kopenhagen in der Klasse von Helene Gjerris.

Jongsoo Yang

Jongsoo Yang, a young bass, studied from 2016 to 2019 Konzertexamen with Prof. Reginaldo Pinheiro and at the same time sang as a member of the Freiburg Opera Studio. From 2017 to 2019 he was a member of the ensemble at the Theater Freiburg and sang the roles of Masetto in “Don Giovanni” and Colline in “La Bohème” among others. Jongsoo completed his bachelor and LOK (Lied Oratorio Konzert) master studies with Prof. Peter Maus at the University of the Arts Berlin (UdK, 2011-2016). While studying at UdK he made his opera debut singing Pantalon from “Commedia dell’arte” and Simone from “La finta semplice” by Mozart. Moreover, he worked intensively with Prof. Peter Maus on concert repertoire singing various cantatas and oratorios in numerous churches in Berlin such as Haydn’s Creation with Junge Ensemble under the direction of Frank Markowitsch as part of a communication project of IASS Potsdam on nature and culture. He performed the Concert for the Nations in 2015 broadcast live on the internet. Additionally, he had extensive Lied lessons in Berlin: German songs with Prof. Eric Schneider and Liana Vlad, Russian songs with Prof. Sayali Dadas and contemporary Lied repertoire with Prof. Axel Bauni. He was a semifinalist at the International Music Competition in Montreal and during his studies he was a scholarship holder of the Oscar und Vera Ritter Stiftung and Paul Hindemith Gesellschaft.

Kunal Lahiry

The young American Kunal Lahiry is becoming one of the most promising and sought after pianists of his generation. Following his orchestral debut at the age of 17 with the Gainesville Symphony Orchestra as the first prize winner of the Kiwanis Society scholarship, Lahiry has won top prizes at international competitions including the Atlanta Music Club, New Orleans Piano Institute, Brevard Music Center Piano Competition, Concours “Les Saisons de la Voix”, Toulouse International French Song Competition, and the XXVI Concours de Flame in Paris. He is a Britten-Pears Young Artist, Yehudi Menuhin Live Music Now Artist, Center for Musical Excellence (CME) Young Artist, ENOA Artist, Leeds Lieder Young Artist, and Samling Young Artist. Recently, he was selected for Renée Fleming’s inaugural SongStudio program for collaborative pianists and singers at Carnegie Hall, was awarded the 2019 Sam Hutchings Pianist Prize at the Oxenfoord International Summer School directed by Malcolm Martineau, and has been invited to the 2020 Heidelberg Lied Akademie under the direction of Thomas Hampson, with performances at the Boulez Saal and Heidelberg Frühling Festival. He has participated in masterclasses with renowned artists such as Graham Johnson, Sir Thomas Allen, Malcolm Martineau, Murray Perahia, André Laplante, Hartmut Höll, Helmut Deutsch, Susan Manoff, Brian Zeger, and Anne le Bozec.

Kunal Lahiry’s special affinity towards art song has led to concerts at the Festival d’Aix-en-Provence, Académie Musicale de Villecroze, Carnegie Hall Weill Music Room, Wigmore Hall, La Monnaie, Sage Gateshead, Britten Studio, Auditorium Saint-Pierre-Des-Cuisine, Teatr Wielki, Salon Razumovsky, l’Église Américaine de Paris, Musée des Archives Nationales, Musée d’Orsay, Royaumont Abbey, Opéra de Rouen, Petit Palais, Leipziger Oper, Mendelssohn Remise, and in the Lunchkonzert series of the Berliner Philharmonie. He was featured in Clemens Goldberg’s lecture-performance series ‘Slow Listening’, on the radio program ‘Kulturradio RBB’ in Berlin, on the live radio broadcast “Génération France Musique”, and has appeared several times in concert for the Daniel Barenboim Excellence Foundation. In 2018, Lahiry was selected for the first academy of melody and lieder at the Royaumont Abbey and Musée D’Orsay, a year-long residency culminating in a live album recording with B Records. His former teachers include Walter Hautzig, Alan Chow, Kyoko Hashimoto, and Fabio Bidini. Lahiry recently finished his Master’s in song interpretation under the tutelege of Wolfram Rieger at the Hochschule für Musik “Hanns Eisler” in Berlin

Gary Beecher

Irish pianist Gary Beecher enjoys a varied musical life performing as a vocal accompanist, chamber

musician and solo pianist. He has been awarded a Masters in Performance at the Guildhall School of Music and Drama, where he studied with Julius Drake and Charles Owen. Gary is currently a Junior Fellow and a staff accompanist at GSMD.

Gary completed his Bachelor of Music degree with the ‘Best Overall Student Award’ at the CIT Cork School of Music and studied with Jan Cáp and Dr. Gabriela Mayer. Gary also studied with Dr. John O’Conor in Dublin and Jacques Rouvier at the University of the Arts in Berlin.

Gary is a passionate song pianist and was a winner of the Oxford Lieder Young Artist Platform with Ema Nikolovska, the Guildhall Piano Accompaniment Prize, Graham Johnson’s Song Guild Paul Hamburger Prize, Prince Consort Side-by-Side Recital at Wigmore Hall and the Guildhall Franz Schubert Lieder Prize.

As a solo pianist, Gary was winner of the ‘Irish Freemason’s Young Musician of the Year’ and has performed as a concerto soloist on numerous occasions with both the RTÉ National Symphony Orchestra and the RTÉ Concert Orchestra with conductors such as José Serebrier, John Wilson and Benjamin Pope.

Gary’s performances have been broadcast on BBC Radio 3 and RTÉ Lyric FM, and he is a Samling Artist, a Britten-Pears Young Artist and an Oxford Lieder Young Artist.

Till Fellner

Austrian pianist Till Fellner’s international career was launched in 1993 when he won First Prize at the renowned Clara Haskil Competition in Vevey, Switzerland. Over a period of more than two decades, he has become a sought-after guest with many of the world’s most important orchestras and at the major music centres of Europe, USA and Japan, as well as numerous festivals.

Highlights in Till Fellner’s diary during the 2018-19 season will be debuts with three major European orchestras: Tonhalle Orchester Zürich, London Symphony Orchestra, and Symphonieorchester des Bayerischen Rundfunks. Further he will perform with the Minnesota Orchestra, Montreal Symphony Orchestra and at the Kulangsu Piano Festival in China. Last season Till Fellner amongst others performed with the New York Philharmonic Orchestra, Chicago Symphony Orchestra, Mozarteumorchester Salzburg and Rotterdam Philharmonic Orchestra.

Till Fellner has collaborated with Claudio Abbado, Vladimir Ashkenazy, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Christoph Eschenbach, Nikolaus Harnoncourt, Manfred Honeck, Sir Charles Mackerras, Kurt Masur, Kent Nagano, Jonathan Nott, Kirill Petrenko, Claudius Traunfellner, Hans Zender, among many others.

In the field of chamber music Till Fellner regularly collaborates with British tenor Mark Padmore, with whom he premiered a composition by Hans Zender in 2016, toured Japan in 2017 and Europe in 2017-18 (amongst others with Lieder recitals in Vienna and Salzburg). Further he performs with the Belcea Quartet. In spring 2019 Till Fellner will tour the US with cellist Johannes Moser.

Over the past few years he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna. Furthermore, contemporary music is of great importance to him; he has given the world premieres of works by Kit Armstrong, Harrison Birtwistle, Thomas Larcher, Alexander Stankovski and Hans Zender.

The ECM label, for whom Till Fellner is an exclusive recording artist, has released the First Book of the Well-Tempered Clavier and the Two & Three-Part Inventions of J. S. Bach, Beethoven’s Piano Concertos Nos. 4 & 5 with the Montreal Symphony Orchestra and Kent Nagano and, most recently, a CD of chamber music by Harrison Birtwistle. In autumn 2016 Alpha Classics released the recording of the piano quintet by J. Brahms with the Belcea Quartet, this recording received the “Diapason d’Or de l’Annee”.

In his native Vienna, Till Fellner studied with Helene Sedo-Stadler before going on to study privately with Alfred Brendel, Meira Farkas, Oleg Maisenberg, and Claus-Christian Schuster.

Since autumn 2013, Till Fellner teaches at the Zurich Hochschule der Künste.

Michael Volle

Michael Volle is one of the most sought-after singers of our time. The baritone is a mainstay at the most renowned opera houses in the world including the Metropolitan Opera New York, the State Operas in Munich and Vienna, the Teatro alla Scala Milan, the Royal Opera House London, Opéra National de Paris and the Deutsche Oper Berlin and the Staatsoper Berlin. Michael Volle maintaines a very special relationship with the Staatsoper Unter den Linden Berlin, where he recently starred in two of his signature roles: the title roles of Wagner’s Der fliegende Holländer and Verdi’s Falstaff, both under the baton of Daniel Barenboim. The hailed Wagner-singer is also a frequent guest at prestigious festivals such as the Salzburg and Bayreuth, as well as Festspielhaus Baden-Baden.

Michael Volle kicks off the 2018/19 season as Barak in Strauss‘ Die Frau ohne Schatten with the Staatsoper Berlin, where he returned making his long-awaited role debut as  Sir John Falstaff. He then performed Mandryka (Arabella) with Deutsche Oper am Rhein and returned to the Teatro alla Scala Milan singing Orest in Strauss’ Elektra. The part of Mandryka is also vehicle for his return to the stage of Munich’s Nationaltheater and the Théâtre des Champs-Élysées Paris. With the Deutsche Oper Berlin, Michael Volle sings Johanaan (Salome), before heading to New York to perform Wotan (Das Rheingold and Die Walküre) and Wanderer (Siegfried) in the Met’s Ring Cycle, under the baton of Philippe Jordan. The baritone closes the operatic season making his role debut as Nabucco in Verdi ‘s homonymous opera with the Zurich Opera and returns as Hans Sachs in the Bayreuth Festival’s performances of Die Meistersinger von Nürnberg.

Michael Volle is one of the leading interpreters of German repertoire. This includes the title roles in Wagner ‘s Der fliegende Holländer, Wotan/Wanderer in the Ring des Nibelungen, Hans Sachs (Die Meistersinger von Nürnberg) and Amfortas (Parsifal) as well as roles by Richard Strauss such as Barak (Die Frau ohne Schatten), Johanaan (Salome), Orest (Elektra) and Mandryka (Arabella), Dr. Schön/Jack the Ripper (Lulu) and Wozzeck, both written by Alban Berg. Also, being an extraordinary interpreter of Italian repertoire, Michael Volle starred as Scarpia (Tosca),  with the Metropolitan Opera, opposite Anna Netrebko in the title role, the Vienna Staatsoper and the Deutsche Oper Berlin, and as Jack Rance (La fanciulla del West).

Apart from his operatic career, the baritone sings concerts in the world’s most renowned concert halls and orchestras. His works regularly with conductors such as Daniel Barenboim, Zubin Mehta, Christian Thielemann, Antonio Pappano, Maris Janssons, Franz Welser-Möst, Valery Gergiev, Thomas Hengelbrock, Simon Rattle and Frieder Bernius. Michael Volle is also a dedicated Lied singer, and gives recitals with Festivals such as the Heidelberger and Schubertiade Schwarzenberg, joined by pianist Helmut Deutsch. Michael Volle has also a close collaboration with the Akademie für Alte Musik Berlin, they recorded a CD with Solo and Dialogue cantatas.

Numerous recordings on CD and DVD, live broadcasts to cinemas worldwide as well the film „The Hunter’s Bride“, based on the opera Der Freischütz, with Michael Volle starring as the evil Kaspar, document the artist’s legislating. Several solo CDs such as „Wagner Arias“ (Orfeo), a Song album with with Helmut Deutsch (Oehms Classics), „Michael Volle sings Brahms“ (Brillant Classics) as well as „Michael Volle: A Portrait“, released with  BR Klassik, top his discography off. Michael Volle was awarded with the German Theatre Price „Faust“and was named “Singer of the Year” by the magazine „Opernwelt“ (2008 and 2014).

Malcolm Martineau

Malcolm Martineau was born in Edinburgh, read Music at St Catharine’s College, Cambridge and studied at the Royal College of Music. Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Dame Felicity Lott, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Sarah Walker and Bryn Terfel. He has presented his own series at the Wigmore Hall and at the Edinburgh Festival. He has appeared throughout Europe (including London’s Wigmore Hall, Barbican, Queen Elizabeth Hall and Royal Opera House; La Scala, Milan; the Chatelet, Paris; Berlin’s Philharmonie and Konzerthaus; Amsterdam’s Concertgebouw and the Vienna Konzerthaus and Musikverein), North America (including Alice Tully Hall and Carnegie Hall), Australia (including the Sydney Opera House) and at the Aix en Provence, Vienna, Edinburgh, Schubertiade, Munich and Salzburg Festivals. In May 2011, Helga Machreich founded Machreich Artists Management agency, which she runs independently. He was a given an honorary doctorate at the Royal Scottish Academy of Music and Drama in 2004, and appointed International Fellow of Accompaniment in 2009. Malcolm was the Artistic Director of the 2011 Leeds Lieder+ Festival. He was made an OBE in the 2016 New Year’s Honours.

Theresa Pilsl

Theresa Pilsl is a young, promising, award winning German soprano. In November she will make her debut as Gerda in a new production of Schneekönigin at the Tischlerei of Deutsche Oper Berlin. She also reprises her role as Ela Delahay with the Kammeroper München in the operetta Charleys Tante. In April she returns as a Fellow of the Lied Akademie to the Heidelberger Frühling Festival, where she will perform various recitals. Upcoming engagements include a Liederabend at Konzerthaus Blaibach, Bachs b-minor Mass with the Euridice Baroque Orchestra in Passau, and a Solorecital at the Tauberphilharmonie Weikersheim. In August 2018, Theresa won both the audience prize and the Vienna Konzerthaus prize at the 9th International Cesti Competition in Innsbruck. Later that year she was also awarded the special prize of the Walter Kaminsky-Stiftung at the Bundeswettbewerb Gesang Berlin. She was awarded the first prize at the Bundeswettbewerb Gesang Junior, 2014. Further career highlights so far include, a Schubert-Liederabend at the Pierre-Boulez-Saal, Berlin with Wolfram Rieger, a solo recital at the Vienna Konzerthaus, with the Impulsia Ensemble (both 2019), Bach Magnificat and Saint-Saëns Oratorio de Noêl with the Montreal Symphony Orchestra with Maestro Kent Nagano (2017). Theresa is alumna and scholar of the Heidelberger Frühling Festival Lied Akademie having worked with Thomas Hampson, Graham Johnson and Hartmut Höll (2018/19) and the Internationale Meistersinger Akademie 2019, where she worked closely with Edith Wiens, Malcolm Martineau and Brigitte Fassbänder. Since April 2018, she has been a scholar of the Yenudi Menuhin Live Music Now e.V. She is a graduate of UDK Berlin having studied with Julie Kaufmann. In August 2019 she finished her Masters of Arts in Opera at the HfM Hanns Eisler Berlin with Anna Korondi, whilst studying medicine concurrently at the Charité Berlin, as well as being a fellow of the Konrad-Adenauer-Stiftung.

Veranstaltungen

Lied Academy

Admission free for pupils and students
Ballsaal Stadthalle Heidelberg
€ 18 Day Pass |  €85 Lied Academy Season Ticket

In cooperation with Heidelberg University

Thomas Hampson & Wolfram Rieger: »Freedom!«

»Encore« Jörg Tröger talks to Thomas Hampson (im Ballsaal der Stadthalle)

Final matinée »Neuland.Lied«: Tara Erraught & James Baillieu

In cooperation with Heidelberg University

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Vanitas. A Lied.Lab

In cooperation with UnterwegsTheater/Künstlerhaus/HebelHalle

This concert will be tape-recorded by

If you choose to buy tickets for five different events of our Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Reading: Rudolf Guckelsberger

Stadthalle Festivalzentrum

Admission free

Mark Padmore & Wiener Klaviertrio

In cooperation with Heidelberg University

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Ilker Arcayürek & Hartmut Höll

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

A Schumanniade – with Martina Gedeck

This concert will be tape-recorded by

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Symposium »The medicine for musicians and hearing«

April Fri 6th to Sat 7th, 2018
Stadthalle, Kammermusiksaal

A symposium of the University hospital Heidelberg’s ENT clinic in cooperation with the Heidelberger Frühling’s Lied Academy.

Already for the second time, specialists, musicians, audiologists and speech therapists from all over Europe are attending the Heidelberger Frühling to discuss current research results. Under the direction of the ENT Clinic Heidelberg, national and international experts will discuss topics from the field of »The medicine for musicians and hearing«, thus complementing the cross-genre approach of the Lied Academy Heidelberg. This year, the focus is on the prevention of hearing impairments in professional musicians and the restoration of hearing.

April Fri 6th Admission free
April Sat 7th € 30

Please register nina.rauball@med.uni-heidelberg.de 

You can download the full program (in German) here.

A cooperation with the University hospital Heidelberg ENT clinic

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