Veranstaltungen

Vanitas. A Lied.Lab

In cooperation with UnterwegsTheater/Künstlerhaus/HebelHalle

This concert will be tape-recorded by

If you choose to buy tickets for five different events of our Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Lied.Lab: »Dance, Lied, Jazz«

A cooperation with Mannheim University for Music and Performing Arts and ktb_log

We thank

Freundeskreis Heidelberger Frühling

und
S+H_Logo_Buch+Presse_fuer weissen Hintergrund_300dpi

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Lied.Lab: »Chants of existence«

In cooperation with Mannheim University for Music and Performing Arts and ktb_log

We thank

Freundeskreis Heidelberger Frühling

and
S+H_Logo_Buch+Presse_fuer weissen Hintergrund_300dpi

 

 

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Julia Wolf

In cooperation with Kulturhaus Karlstorbahnhof

Michael Kolain & Marcel Gein

In cooperation with Kulturhaus Karlstorbahnhof

Carolin Callies & Elda

In ihrem feinen Gedichtband ≫Fünf Sinne & Nur ein Besteckkasten≪ (Schöffling & Co.) erzählt Carolin Callies seltsame Geschichten: Davon, wie es aussehen konnte, ≫kleinstlebewesen zu verschicken≪ zum Beispiel, vom ≫wohnen in der obstschublade ≪ oder wie grotesk es ist, ≫innerhalb eines fleischfarbenen lappens≪ zu logieren. Ihr Buch voll ≫berückender Innigkeit, formalem Raffinement und enormer Bildkraft≪ (NZZ) ist das wohl spannendste Lyrik-Debut des Jahres 2015 und ist wie geschaffen für experimentelle Vertonung in Liedform. Und gleichgültig, ob die Musik den teilweise schockierenden Duktus der Poesie noch verstärkt oder eher moderiert – es werden faszinierende intertextuelle Beobachtungen möglich gemacht.
Das musikalische Pendant für diesen Abend ist die junge Band Elda. Mit poetischen Texten, zwei faszinierenden Stimmen und tiefenentspannter Folkbegleitung fangen die beiden Musikerinnen dort an, wo erfolgreiche Bands wie BOY leider aufgehört haben: Bei der zeitlosen Feinarbeit an den Wurzeln der Popmusik, jenseits von Retromania und Zeitgeist.


über das programm

In Kooperation mit
ktb_log

S+H_Logo_Buch+Presse_fuer weissen Hintergrund_300dpi

Andrè Schuen © Angelika Schwarz

Andrè Schuen & Ganes

In “their” Lied.Lab, the entire Schuen family takes their audience back to what is probably the earliest known form of vocal music. Since time immemorial, the family has cultivated the tradition of singing songs in the fascinating ancient language of the area they come from: Dolomite Ladin. After they had completed their studies at the Salzburg Mozarteum and the Richard Strauss Conservatory in Munich, this love of vocal music was the deciding factor prompting Marlene, Elisabeth and Andrè Schuen to embark on a musical career. At their Lied.Lab concert they will be joined by their cousin Maria Moling, with whom they appear in the pop formation “Ganes”. Accompanied in the duo songs by pianist Daniel Heide and seconded by their parents Paul and Hilda, they will be presenting an unusually wide variety of genres, ranging from folk songs and classical Lieder to jazz vocals and ethno-pop.

In cooperation with halle02 Heidelberg

 

Jörg Tröger in an interview with Andrè Schuen

Andrè Schuen © Angelika Schwarz

Lied.Lab 20.4.15

Tamara Banješević & Sonja Šarić

After a long interval, three old friends meet in a kafana (bistro) in the Bohemian quarter of Belgrade and tell each other what has happened to them in the meantime. They talk of love and passion, unfulfilled hopes and longings, families, friends and homesickness. The owner of the premises, once a celebrated Russian accordion virtuoso and pianist, comes over to join them. Together they sing songs from their native countries handed down over centuries from one generation to the next as well as art-songs by great composers like Tchaikovsky and Rachmaninov. The fourth Lied.Lab with former grant recipients of the Lied Academy invites its audience to sample the rich musical culture of the civilisations of eastern Europe and offers new perspectives on the links between folksongs and art-songs.

In cooperation with Frauenbad Heidelberg

Anna Lucia Richter © Jessy Lee

Anna Lucia Richter

The Seven Deadly Sins, or Is Lust Really Evil? Pride, covetousness, lust, envy, gluttony, anger and sloth are the seven major transgressions pilloried in the catechism of the Catholic Church. Long unchallenged in their validity, they represented a negative pendant to the Ten Commandments in the Old Testament. Taken together, these two seminal texts were tantamount to a blueprint for the survival of civilised human society. In 1933 Kurt Weill wrote his at the time highly topical ballet “The Seven Deadly Sins” after a libretto by Bertolt Brecht. At the Frühling, excerpts arranged for piano, voice and solo dancer are set off against the premiere of a work by the highly regarded young composer Matan Porat plus some Gregorian chant and songs by Haydn, Schubert and Hugo Wolf.

In cooperation with Frauenbad Heidelberg

 

Jörg Tröger in an interview with Anna Lucia Richter

Anna Lucia Richter © Jessy Lee

Andrè Schuen © Angelika Schwarz

Andrè Schuen & Ganes

In “their” Lied.Lab, the entire Schuen family takes their audience back to what is probably the earliest known form of vocal music. Since time immemorial, the family has cultivated the tradition of singing songs in the fascinating ancient language of the area they come from: Dolomite Ladin. After they had completed their studies at the Salzburg Mozarteum and the Richard Strauss Conservatory in Munich, this love of vocal music was the deciding factor prompting Marlene, Elisabeth and Andrè Schuen to embark on a musical career. At their Lied.Lab concert they will be joined by their cousin Maria Moling, with whom they appear in the pop formation “Ganes”. Accompanied in the duo songs by pianist Daniel Heide and seconded by their parents Paul and Hilda, they will be presenting an unusually wide variety of genres, ranging from folk songs and classical Lieder to jazz vocals and ethno-pop.

In cooperation with halle02 Heidelberg

 

Jörg Tröger in an interview with Andrè Schuen

Andrè Schuen © Angelika Schwarz