CANCELLED – The Sorabji Project: Season Ticket (I-V)

In cooperation with

We thank

CANCELLED – Jan Lisiecki

As holder of the SWR2 Kulturkarte you will receive a 15% discount on this concert, bookable here in the webshop or by calling +49 6221 584 00 44.

The project is part of Canada’s cultural program as Guest of Honor at the Frankfurt Book Fair 2021

It is supported by the Canada Council for the Arts and the Government of Canada

CANCELLED – Fazıl Say: Barock and Jazz

In cooperation with Universität Heidelberg

CANCELLED – Rafał Blechacz

As holder of the SWR2 Kulturkarte you will receive a 15% discount on this concert, bookable here in the webshop or by calling +49 6221 584 00 44.

In cooperation with Universität Heidelberg

We thank
Dr. med. Karin and Dr.-Ing. Peter Koepff

Kammermusik Plus | Elisabeth Leonskaja – CANCELED

Unfortunately, the concert had to be canceled.

In cooperation with Universität Heidelberg

We thank

Kammermusik Plus | Pavel Kolesnikov 5 p.m. – Alternative date for 19/01/21

Due to the extended nationwide lockdown, this concert on 19 January 2021 had to be cancelled. Fortunately, an alternative date has already been set: the concert will be held on Tuesday, 27 July 2021 at 5 and at 8 p.m. with a different programme.

Changed venue: Rudolf-Wild-Halle Eppelheim Since the old auditorium of Heidelberg University only allows a very limited number of visitors under the applicable safety regulations, the concert will take place in the Rudolf-Wild-Halle in Eppelheim (Schulstraße 6, 69214 Eppelheim). The house is barrier-free.


By car: There is a paid underground car park with a limited number of spaces (99) next to the Rudolf-Wild-Halle. From there you can go directly to the foyer of the hall (underground car park Rudolf-Wild-Halle, Schillerstraße, 69214 Eppelheim).

By public transport: From Bismarckplatz, Rudolf-Wild-Halle can be reached in 20 minutes by tram 22 (direction: Eppelheim; Stop: Rathaus Eppelheim).

Please note the important information about attending the concert:

➔For attending a concert, either proof of a daily negative corona test (max. 24 hours old) from an official test center, the vaccination certificate from 14 days after the second vaccination or proof of recovery within the last 6 months (PCR test, medical certificate), required.

➔ The house and the hall open 30 minutes before the start of the concert. Admission will be guided by our service staff. ➔ It is compulsory to wear a medical mask (surgical mask or FFP2 mask) in the entire building. This also applies during the concert. Please keep a safe distance of 1.50 meters from other people who do not live in your household during your entire visit. ➔ Hand disinfectant will be available in the house – please use it.

➔ If you yourself have symptoms of a respiratory infection or a high temperature or are in contact with a person infected with SARS-CoV-2 or have been within the last 14 days, we must ask you not to participate in the event.

➔ Please note that there are no gastronomic options and no cloakrooms available on this evening.

➔ Evening programs are available on site at a price of € 1.

We will ensure that all rooms are supplied with sufficient fresh air, that sufficient disinfectant dispensers as well as soap and paper towels are available in the toilets. Before and after the events, all surfaces and door handles are disinfected.

Data collection

In order to be able to understand possible chains of infection and to inform affected persons, we are obliged to forward the contact details of all concert-goers to the responsible health authority. We have your contact because you bought your tickets by phone or in the Heidelberger Frühling webshop. If several tickets have been purchased, the buyer is obliged to inform his / her companions.

➔ If you want to pass on the tickets, you are obliged to give us the contact details of the card user before the start of the event (by email or telephone).

Kammermusik Plus | CHANGES – Jean-Paul Gasparian instead of Adam Laloum

We look forward to welcoming you again. Of course, this joy is combined with intensive precautions. The planned events will be held in compliance with the then applicable assembly regulations due to the pandemic crisis, as well as a hygiene and protection concept. Heidelberger Frühling is currently working on various scenarios so that all ticket holders can experience a concert even if the number of spectators is limited. The audience will be informed about the current situation as soon as possible. Information on this will also be available in our newsletter (in German).

In cooperation with Universität Heidelberg

Sergej Babayan

He is one of the leading pianists of our time: Hailed for his emotional intensity, bold energy and remarkable levels of color, Sergej Babayan brings a deep understanding and insight to an exceptionally diverse repertoire. Le Figaro has praised his “unequaled touch, perfectly harmonious phrasing and breathtaking virtuosity.” Le Devoir from Montreal put it simply: “Sergej Babayan is a genius. Period.”

Sergej Babayan has collaborated with such conductors as David Robertson, Neeme Järvi, Yuri Temirkanov, Thomas Dausgaard, Tugan Sokhiev, and Dima Slobodeniouk, among others. Over the years, Babayan has performed with Valery Gergiev numerous times to great critical acclaim, including appearances at the International Festival “Stars of the White Nights”, the Moscow Easter Festival, the Barbican Centre with Mo. Gergiev conducting the London Symphony Orchestra, in St. Petersburg’s Mariinsky Theatre, the Great Hall of the Moscow Conservatory, Théâtre des Champs-Elyseés in Paris, at the Salzburg Festival, and at the Rotterdam Philharmonic-Gergiev Festival where Babayan was artist-in-residence.

Mr. Babayan performs with the world’s foremost orchestras, including the London Symphony, Cleveland Orchestra, Orchestra of the Mariinsky Theatre, Warsaw Philharmonic, BBC Scottish Symphony Orchestra, Orchestre National de Lille, Detroit Symphony Orchestra, Baltimore Symphony Orchestra and the New World Symphony.

His engagements and tours have brought him to preeminent international concert venues including Carnegie Hall in New York, the Warsaw Philharmony, Severance Hall in Cleveland, Mariinsky Theatre in St. Petersburg, Herkulessaal in Munich, Liederhalle in Stuttgart, Meistersingerhalle in Nuremberg, Konzerthaus Berlin, Beethovenhalle Bonn, Rudolfinum-Dvorak Hall in Prague, Victora Hall in Geneva and many others.

Sergej Babayan is a Deutsche Grammophon exclusive artist; his latest release of his own transcriptions for two pianos of works by Sergej Prokofiev, with Martha Argerich as his partner (‘Prokofiev for Two’; DG 2018), was praised by reviewers as ‘the CD one has waited for’ (Le Devoir), an ‘electrifying duo that leaves the listener in consternation’ (Pianiste), taking ‘the piano duo to a new level: If all music was like this, there would be no sorrow in the world.’ (Norman Lebrecht, MyScena). Mr. Babayan’s performances have been broadcast by Radio France, Polish Radio and Television, BBC-TV and BBC Radio 3, NHK Satellite Television and Medici TV.

Born in Armenia into a musical family, Babayan began his studies there with Georgy Saradjev and continued at the Moscow Conservatory with Mikhail Pletnev, Vera Gornostayeva and Lev Naumov. Following his first trip outside of the USSR in 1989, he won consecutive first prizes in several major international competitions including the Cleveland International Piano Competition, the Hamamatsu Piano Competition, and the Scottish International Piano Competition. An American citizen, he lives in New York City.

Leif Ove Andsnes

Der norwegische Pianist Leif Ove Andnes hat sich mit seiner herausragenden Technik und seinen hervorragenden Interpretationen weltweit einen Namen gemacht. Er tritt weltweit in den großen Konzertsälen auf, konzertiert mit den führenden Orchestern der Welt und weist gleichzeitig eine umfangreiche Diskografie vor. Er ist Gründungsdirektor des Rosendal Chamber Music Festivals, war fast zwei Jahrzehnte lang einer der künstlerischen Leiter des Risør Festival of Chamber Music sowie Musikdirektor des kalifornischen Ojai Music Festivals. Er ist Ehrendoktor der norwegischen University of Bergen und der New York Juilliard School.

Nach dem Erfolg ihrer Zusammenarbeit im Rahmen des Projekts „Beethoven Journey“ haben sich Andsnes und das Mahler Chamber Orchestra nun zu einem weiteren großen Projekt zusammengefunden: „Mozart Momentum 1785/86“, das sich in dieser Saison vor allem auf die Klavierkonzerte Nr. 20-22 des Komponisten konzentriert. Diese stehen ebenso im Zentrum seiner bevorstehenden Zusammenarbeit mit den Berliner Philharmonikern, dem San

The New York Times calls Leif Ove Andsnes “a pianist of magisterial elegance, power, and insight,” and the Wall Street Journal names him “one of the most gifted musicians of his generation.” With his commanding technique and searching interpretations, the celebrated Norwegian pianist has won acclaim worldwide, playing concertos and recitals in the world’s leading concert halls and with its foremost orchestras, while building an esteemed, extensive discography. He is the founding director of the Rosendal Chamber Music Festival, was co-artistic director of the Risør Festival of Chamber Music for nearly two decades, and has served as music director of California’s Ojai Music Festival. A Gramophone Hall of Fame inductee, he holds honorary doctorates from Norway’s University of Bergen and New York’s Juilliard School.

Following the success of their “Beethoven Journey” collaboration, Andsnes and the Mahler Chamber Orchestra have now reunited for another major multi-season project: “Mozart Momentum 1785/86.” This season they focus primarily on the composer’s Piano Concertos Nos. 20-22, which are also the vehicle for Andsnes’s upcoming collaborations with the Berlin Philharmonic, San Francisco Symphony, St. Paul Chamber Orchestra, Oslo Philharmonic and Gothenburg Symphony, where he serves as 2019-20 Artist-in- Residence. Another highlight of the Swedish residency is Grieg’s Piano Concerto, which he reprises with the Chicago Symphony, Boston Symphony, NDR Elbphilharmonie, St. Petersburg Philharmonic, Oslo Philharmonic and Bergen Philharmonic. In recital, besides joining Matthias Goerne for Schumann lieder at Milan’s La Scala, he tours Europe with a solo program of Dvořák, Bartók and Schumann.

An epic four-season focus on the composer’s music for piano and orchestra, “The Beethoven Journey” saw Andsnes give more than 230 live performances in 108 cities across 27 countries, as chronicled in the documentary Concerto – A Beethoven Journey and captured on the award-winning Sony Classical series The Beethoven Journey. Now recording exclusively for that label, Andsnes recently received his ninth Grammy nomination and has been recognized with no fewer than six Gramophone Awards. His other accolades include the Royal Philharmonic Society’s Instrumentalist Award, the Gilmore Artist Award, and Norway’s Peer Gynt Prize and Commander of the Royal Norwegian Order of St. Olav. He has been honored as a New York Philharmonic Artist-in-Residence, as the first Scandinavian to curate Carnegie Hall’s “Perspectives” series, and as the subject of a London Symphony Orchestra Artist Portrait Series.

Leif Ove Andsnes was born in Karmøy, Norway in 1970, and studied at the Bergen Music Conservatory. He is currently an Artistic Adviser for the Prof. Jirí Hlinka Piano Academy in Bergen, where he lives with his partner and their three children.

Francisco Symphony Orchestra, dem St. Paul Chamber Orchestra, dem Oslo Philharmonic Orchestra und den Göteborger Symphonikern – bei letzterem ist er Artist-in-Residence 2019/20 ist. Ein weiterer Höhepunkt dieser Residenz ist die Aufführung von Edward Griegs Klavierkonzert, das er außerdem mit den Chicago Symphony, Boston Symphony, NDR Elbphilharmonie, St. Petersburg Philharmonic, Oslo Philharmonic und Bergen Philharmonic spielt. Im Rahmen einer Europatournee ist er zudem mit einem einem Soloprogramm mit Werken von Dvořák, Bartók zu erleben.

Leif Ove Andsnes, ist Exklusivkünstler bei Sony Classical. Kürzlich wurde er zum neunten Mal für einen Grammpy nominiert und wurde mit sechs Gramophone Awards ausgezeichnet. Zu seinen weiteren Auszeichnungen gehören der Instrumentalistenpreis der Royal Philharmonic Society, der Gilmore Artist Award und der Peer Gynt Prize.

Leif Ove Andsnes wurde 1970 in Karmøy, Norwegen, geboren und studierte am Bergen Music Conservatory. Derzeit ist er künstlerischer Berater der Prof. Jirí Hlinka Piano Academy in Bergen.

Boris Giltburg

Born in 1984 in Moscow, Giltburg moved to Tel Aviv at an early age, studying with his mother and then with Arie Vardi. In 2013 he won First Prize at the Queen Elisabeth Competition, catapulting his career to a new level. In 2015 he began a long-term recording plan with Naxos Records, and has since released solo discs of Beethoven, Schumann and Rachmaninnov, Shostakovich concerti with Petrenko and Royal Liverpool Philharmonic (Diapason d’Or), and Rachmaninov with Prieto and Royal Scottish National (Opus Klassik instrumental award).

Boris Giltburg has appeared with many leading conductors, and with orchestras such as Philharmonia Orchestra, Israel Philharmonic, Deutsche Kammerphilharmonie, London Philharmonic Orchestra, Oslo Philharmonic, St Petersburg Philharmonic and Baltimore Symphony. He made his BBC Proms debut in 2010 and has toured frequently to South America and China.

He plays recitals in top venues such as Southbank Centre and Wigmore, Amsterdam Concertgebouw, Elbphilharmonie Hamburg, Bozar and Flagey in Brussels, Radio France, Carnegie Hall, Tokyo Toppan Hall and Beijing Forbidden City Concert Hall.