Praised for a “rich, natural sound that’s larger and more complex than the sum of its parts,” (National Public Radio) New York Polyphony is one of the foremost vocal chamber ensembles active today. The four men, “singers of superb musicianship and vocal allure,” (The New Yorker) give vibrant, modern voice to repertoire ranging from Gregorian chant to cutting-edge compositions. Their dedication to innovative programming, as well as a focus on rare and rediscovered Renaissance and medieval works, has not only earned New York Polyphony two GRAMMY nominations and wide acclaim, but also helped to move early music into the classical mainstream.
Commissioning new works has been central to the mission of New York Polyphony since their founding in 2006. Both in performance and on recording, the ensemble has demonstrated a commitment to presenting contemporary compositions that explore the boundaries between ancient and modern music. They have forged relationships with numerous composers, including established artists such as Richard Rodney Bennett, Jonathan Berger and Jackson Hill, emerging talents Bora Yoon and Gregory Brown, and prominent figures such as Gabriel Jackson and Andrew Smith. In January 2017, as part of Miller Theatre at Columbia University’s Early Music Series, New York Polyphony premiered The Vespers Sequence, a multi-movement setting of the Byzantine evening prayer service composed for the ensemble by Ivan Moody. Future projects include The Bitter Good by American composer Gregory Spears, for which the quartet was awarded a 2016 Commissioning Grant from Chamber Music America.
The ensemble’s growing discography includes two GRAMMY-nominated releases and albums that have topped the “best of” lists of The New Yorker, Gramophone, and BBC Music Magazine. In August 2016, New York Polyphony released Roma aeterna, a program highlighted by two masses of the High Renaissance by Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria. The album, their seventh overall and fourth on BIS Records, debuted at #4 on Billboard magazine’s Traditional Classical Album chart. It has been hailed as “blissfully confident and beautiful” (BBC Radio 3 – Record Review), “resplendent and elegant” (San Francisco Chronicle), and “nothing short of revelatory” (AllMusic).
Called a “spacious, radiant retreat” by The New York Times and selected as a “must have” in their Holiday Gift Guide, 2014’s release Sing thee Nowell scored New York Polyphony its second GRAMMY nomination in the Best Chamber Music/ Small Ensemble Performance category. With the 2013 release of Times go by Turns, the ensemble’s fourth album, New York Polyphony continued “to claim a spot as one of the finest small vocal groups performing today” (Audiophile Audition). Commended as “a complex, clear-eyed yet still painfully beautiful tapestry,” (Gramophone) Times go by Turns amassed substantial critical acclaim. In addition to being named one of iTunes 10 Best Classical Releases of 2013, the album garnered a GrammyY nomination.
New York Polyphony tours extensively, participating in major concert series and festivals around the world. Noteworthy engagements include debut performances at London’s Wigmore Hall and The Royal Concertgebouw in Amsterdam, residencies at Dartmouth College and Stanford University, concerts under the aegis of the Festival Oude Muziek Utrecht (Netherlands), and the European premiere of the Missa Charles Darwin—a newly commissioned secular Mass setting based on texts of Charles Darwin by composer Gregory Brown—at the Museum für Naturkunde in Berlin. Elsewhere New York Polyphony has performed as part of the Tage Alter Musik Regensburg; Rheingau Musik Festival, Thüringer Bachwochen (Germany); Abvlensis International Music Festival (Spain); Stiftskonzerte Oberösterreich (Austria); Festival de Música de Morelia (Mexico); and the Elora Festival (Canada), among others. They have been featured on Performance Today for American Public Media, Footprints to Paradise: A Medieval Christmas for Public Radio International, and BBC Radio 3’s In Tune. In December 2011, New York Polyphony made its national television debut on The Martha Stewart Show.
Stile Antico is firmly established as one of the world’s most accomplished and innovative vocal ensembles. Working without a conductor, its twelve members have thrilled audiences on four continents with their fresh, vibrant and moving performances of Renaissance polyphony. Its bestselling recordings on the Harmonia Mundi label have earned accolades including the Gramophone Award for Early Music, Diapason d’or de l’année, Edison Klassiek Award, and Preis der deutschen Schallplattenkritik. The group has received three Grammy nominations, and performed live at the 60th Grammy Awards at Madison Square Garden.
Based in London, Stile Antico has appeared at many of the world’s most prestigious venues and festivals. The group enjoys a particularly close association with the Wigmore Hall, and has performed at the BBC Proms, Buckingham Palace, Amsterdam Concertgebouw, the Palais des Beaux-Arts, Cité de la Musique, Luxembourg Philharmonie, and Leipzig Gewandhaus. Stile Antico is frequently invited to appear at Europe’s leading festivals: highlights include the Lucerne Easter Festival and the Antwerp, Bruges, Utrecht and York Early Music Festivals.
Since making its North American debut at the Boston Early Music Festival in 2009, Stile Antico has enjoyed frequent tours to the US and Canada. The group performs regularly in Boston and New York, and has appeared at Washington’s National Cathedral and Library of Congress, Vancouver’s Chan Centre, the Quebec Festival of Sacred Music, and in concert series spanning twenty-four US states. Stile Antico has also appeared at the Cervantino festival in Mexico, and in 2018 made its South American debut with performances in Colombia.
Stile Antico’s performances are often praised for their immediacy, expressive commitment, and their sensitive and imaginative response to text. These qualities arise from the group’s collaborative working style: members rehearse and perform as chamber musicians, each contributing artistically to the musical results. The group is also noted for its compelling programming, which often draws out thematic connections between works to shine new light on Renaissance music. In addition to its core repertoire, Stile Antico has premiered works by John McCabe, Huw Watkins, and, most recently, Nico Muhly, whose Gentle Sleep was written to mark the group’s tenth birthday. Stile Antico’s diverse range of collaborators includes Fretwork and the Folger Consort of viols, pianist Marino Fomenti, orchestra B’Rock, and Sting.
Alongside its concert and recording work, Stile Antico is passionate about sharing its repertoire and working style with the widest possible audience, and its masterclasses and workshops are much in demand. As well as leading regular courses at the Dartington International Summer School, the group has been resident at Zenobia Música, and is often invited to work alongside ensembles at universities, festivals, and early music forums. The support of the charitable Stile Antico Foundation has enabled Stile Antico to expand its work with younger people, and to offer annual bursaries to talented consort singers.
Highlights of Stile Antico’s 2018-19 season include the group’s first concerts in Hong Kong, Macau, and South Korea, the premiere of a new work by Joanna Marsh as part of the Venus Unwrapped festival at London’s Kings Place, and a return to the Boston Early Music Festival. The group’s thirteenth recording for Harmonia Mundi, In A Strange Land, is released early in 2019.