Tief inspiriert von einem Streichtrio des Komponisten Erwin Lendvai und seiner besonderen Musikalität, benannten die drei aus den Niederlanden, Schweden und Großbritannien stammenden Musikerinnen ihr 2004 gegründetes Ensemble nach dem heute noch unbekannten Ungarn. Eine große Leidenschaft des Trios ist das (Wieder-)Entdecken von in Vergessenheit geratenen Werken für diese besondere Besetzung. Dazu gehören auch die insgesamt 16 Streichtrios des deutsch-niederländischen Komponisten Julius Röntgen, der unter anderem Johannes Brahms zu seinen Bekannten zählen konnte. Drei Jahre lang widmete sich das Trio intensiv Röntgens Werken und wurde für die Einspielung international hoch gelobt.
Nadia Wijzenbeek, violin
Ylvali Zilliacus, viola
Marie Macleod, cello
“With beautifully clear, natural sound…The Lendvai Trio once more acquit themselves with flying colours, their infectious enthusiasm consistently communicated.” Gramophone, 2014
In 2020, the Lendvai String Trio celebrates its 15th anniversary season performing regularly at major venues throughout Europe such as Wigmore Hall in London and Amsterdam’s Concertgebouw. The trio has recorded extensively and to great acclaim, including the complete string trios by Beethoven (BBC Music Magazine’s Chamber Choice in June 2013) and Martinů, both for Stone Records. Their most recent international success is the completion of a three-year project uncovering, performing and recording all sixteen string trios by Dutch composer Julius Röntgen for Champs Hill Records.
“Röntgen’s inexhaustible fecundity of melody, musical charm and compositional craftsmanship combine in the most delightful manner…delivered with impeccable musicianship by the wonderful Lendvai Trio.”
In 2011 the trio was awarded the prestigious Kersjes Ensemble Prize in Holland, as well as being selected for the Concertgebouw’s Young Artist Series in Amsterdam. In 2005 they were selected for the Holland Music Sessions ‘New Masters on Tour’, resulting in a series of concerts across Romania, Bulgaria, Latvia, Lithuania, Poland and the Netherlands.
The trio regularly performs at festivals in the UK, Germany, Italy, France, Switzerland, Austria and Sweden and their concerts and recordings are broadcast by Dutch Radio 4, Swedish Radio P2 and BBC Radio 3.
The trio enjoys and gets inspiration from regular collaborations with other artists. Recent highlights have included concerts with oboists Alexei Ogrintchouk and Nicholas Daniel, and pianists Paolo Giacometti, Tom Poster, Charles Owen, Alasdair Beatson and Martin Sturfält. As well as regularly commissioning new works, the Lendvai String Trio is also keen to uncover and revive forgotten works for the genre.
Alongside the trio Nadia is concertmaster of the Dutch Radio Philharmonic Orchestra, Ylvali is guest principal at the Royal Swedish Opera and Marie solo cellist of the Royal Stockholm Philharmonic Orchestra.
Due to the limited number of seats, the event is already sold out.
The Armida Quartet combines Janáček’s famous second string quartet with Beethoven’s String Quartet No. 15 in A minor.
In cooperation with the University of Heidelberg.
The concert takes place at 5 and at 8 p.m. The duration of the concert is each about 70 minutes without intermission. There is no artist talk before the concert. To attend the concert, proof of a daily (max. 24 hours old) negative corona test from an official test center, the vaccination certificate from 14 days after the second vaccination or proof of recovery (PCR test, medical certificate) is required. The mask and clearance requirement in the house still applies, also when seated during the concert. Admission begins 30 minutes before the start of the concert.
Sindy Mohamed appears this season as soloist and chamber musician in major festivals in Europe like Moritzburg Festival, Spannungen Heimbach, Schubertiade Hohenems, Kronberg Festival, Festspiele Mecklenburg-Vorpommern, Festival Présences, Festival d’Aix-en-Provence, Folles Journées de Nantes, collaborating with Isabelle Faust, Tabea Zimmermann, Lawrence Power, Steven Isserlis, Jan Vogler, Maximillian Hornung, Kian Soltani, Yura Lee, Adrien La Marca among many others. Other highlights include performances as soloist with the Ensemble Multilatérale in Paris, the Cairo Symphony Orchestra and the Orchestra Vigo 430 in Spain. Extended concert tours across the world include recital debuts in the Wigmore Hall, the Carnegie Hall and the Suntory Hall.
Prize winner of the International Anton Rubinstein Viola Competition 2017, Award from the “Ottilie Selbach Redslob Foundation”, scholarship holder of “Spannungen Festival” Sindy in January 2018 made her Debut in England alongside Lars Vogt and the Royal Northern Sinfonia orchestra as part of the “New Year New Artists” Festival. She took part in the Festival d’Aix-en-Provence performing together with Tabea Zimmermann. On the invitation of Rolando Villazon, Sindy participated to the Program Stars von Morgen broadcasted on Arte TV. She took part in Kronberg Academy’s Chamber Music Connects the World performing with Steven Isserlis, Christian Tetzlaff and Gidon Kremer.
Born in Marseille, into a non-musician family in 1992, the Egyptian violist Sindy Mohamed received her first viola lessons at the age of 8. After graduating from the Conservatoire de Marseille, Sindy pursued her studies at the Conservatoire National Supérieur de Musique de Paris and at the Hochschule für Musik Hanns Eisler. She absolved her final studies as “young soloist” at the prestigious Kronberg Academy with Tabea Zimmermann.
Further musical inspiration was given to Sindy through her participation and special invitations to numerous international masterclasses and academies such as “Festival Quatuors à Bordeaux”,”Festival d’Aix-en- Provence”,”Summer Festival Salzburg”,”Seiji Ozawa International Switzerland Academy”,”European Chamber Music Academy”. She worked with Daniel Barenboim, Antoine Tamestit, Roberto Diaz, Morten Carlsen, Nobuko Imai, Jean Sulem, Sadao Harada, Pamela Frank and Tatjana Masurenko. Alongside her studies and career, Sindy gained already a large orchestral experience. Playing in leading positions of orchestras like the Rundfunk Sinfonie Orchester Berlin, Deutsche Oper and Komische Oper Berlin. She had the opportunity to perform with chief conductors such as Sir Simon Rattle, Marek Janowski, Vladimir Jurovski, Paavo Järvi, Francois Xavier Roth, Seiji Ozawa, Donald Runnicles. In addition, she has been a member of the “West-Eastern Divan Orchestra” since 2013 under Maestro Daniel Barenboim. Sindy plays on a viola by Jean-Baptiste Vuillaume generously on loan from Beares International Violin Society in London.
Liam Byrne divides his time between making very old and very new music on the viola da gamba. He plays with many leading European early music ensembles including the Huelgas Ensembe, Dunedin Consort, Academy of Ancient Music, and Fretwork. Liam also works frequently with composers, folk-, and electronic musicians making new music with his 17th century instrument, such as Nico Muhly, Donnacha Dennehy, David Lang, Shara Nova, Efterklang, Martin Hayes, Valgeir Sigurðsson, Greg Saunier, Cleek Schrey, and many others. Liam has created sound installations for the Victoria & Albert museum, Dulwich Picture Gallery, and in collaboration with Nico Muhly for the National Gallery in London. 2017 saw the release of Tessellatum, a duo album with violist Nadia Sirota with music by Donnacha Dennehy, and Valgeir Sigurðsson’s Dissonance, for which Liam co-authored the title track. He is a member of the Icelandic artist collective and record label Bedroom Community.
In cooperation with Universität Heidelberg
Antoine Tamestit is recognised internationally as one of the great violists – soloist, recitalist and chamber musician. In addition to his peerless technique and profound musicianship, he is known for the depth and beauty of his sound with its rich, deep, burnished quality. His repertoire is broad, ranging from the Baroque to the contemporary, and he has performed and recorded several world premieres.
Hes has given the world premiere performance of Jörg Widmann’s Viola Concerto in 2015 with the Orchestre de Paris and Paavo Järvi and performed it with many other renowed orchestras. Tamestit has also appeared as soloist with orchestras such as the Czech Philharmonic, Tonhalle Orchestra Zürich, WDR Köln, Royal Stockholm Philharmonic, BBC Symphony Orchestra, Scottish Chamber Orchestra and Chamber Orchestra of Europe.
He has worked with many great conductors including Sir John Eliot Gardiner, Valery Gergiev, Riccardo Muti, Daniel Harding, Marek Janowski, Antonio Pappano, François-Xavier Roth and Franz Welser-Möst. Antoine Tamestit is a founding member of Trio Zimmermann with Frank Peter Zimmermann and Christian Poltera. Other chamber music partners include Leif Ove Andsnes, Nicholas Angelich, Pierre-Laurent Aimard, Gidon Kremer, Emmanuel Pahud, Christian Tetzlaff and the Ebene and Hagen Quartets.
Antoine Tamestit records for Harmonia Mundi. His distinguished discography includes the Widmann Concerto, recorded with the Bavarian Radio Symphony Orchestra and Daniel Harding in February 2018. The recording was selected as Editor’s Choice in BBC Music Magazine.
Together with Nobuko Imai, Antoine Tamestit is co-artistic director of the Viola Space Festival in Japan, focusing on the development of viola repertoire and a wide range of education programmes.
Born in Paris, Antoine Tamestit studied with Jean Sulem, Jesse Levine, and Tabea Zimmermann. He was the recipient of several coveted prizes including first prize at the ARD International Music Competition, the William Primrose Competition and the Young Concert Artists (YCA) International Auditions, as well as BBC Radio 3’s New Generation Artists Scheme, Borletti-Buitoni Trust Award and the Credit Suisse Young Artist Award in 2008.
Lilya Tymchyshyn (*1993 in Bolton, UK) erlernte zunächst das Klavierspiel ehe sie sich letztlich für die Viola entschied und 2012 ein Studium in München bei Hariolf Schlichting aufnahm.
Sie war bereits Akademistin des Symphonieorchesters des BR, Mitglied des GMYO und Preisträgerin und Stipendiatin mehrerer internationaler Wettbewerbe wie der International Beethoven’s Hradec Competition und dem Johannes Brahms Wettbewerb in Pörtschach.
Lilya Tymchyshyn konzertierte bereits europaweit, u. a. in der Royal Albert Hall und war auf Festivals wie dem Aurora Chamber Music, dem Verbier Festival und Rencontres Musicales d’Evian zu Gast.
Als Stipendiatin der Deutschen Stiftung Musikleben spielt Lilya Tymchyshyn seit Februar 2017eine Viola von Jean Baptiste Vuillaume, Parisca. 1850, eine private treuhänderische Eingabe.
With recent awards including the inaugural Sir Jeffrey Tate Prize in Hamburg and the Borletti-Buitoni Fellowship, Timothy Ridout has confirmed his position at the forefront of young European soloists. He has been a BBC New Generation Artist since 2019 and will join the Bowers Program of the Chamber Music Society of the Lincoln Center in 2021.
Concerto engagements in recent seasons include Berlioz Harold en Italie with the Deutsches Sinfonie-Orchester Berlin, Orchestre National Bordeaux Aquitaine and Orchestre National de Lille; Mozart Sinfonia Concertante at the Sion Festival (alongside Janine Jansen) and with the Chamber Orchestra of Europe and Camerata Salzburg; Bartok with the BBC Symphony, Hamburger Symphoniker and Sinfonieorchester Aachen; Walton with the Philharmonia Orchestra and Luzerner Sinfonieorchester; and the Britten Double Concerto with the Tapiola Sinfonietta and Siberian State Symphony Orchestra. He has worked with conductors including Christoph Eschenbach, David Zinman, Gabor Takács-Nagy, Sylvain Cambreling and Sir Andras Schiff.
Equally in demand as a recitalist and chamber musician, his engagements include several appearances per season at the Wigmore Hall as well as throughout the UK, Europe and Japan. Festivals invitations encompass Lucerne, Lockenhaus, Heimbach, Bergen, Evian, Boswil Sommer, Heidelberger-Frühling, Montpellier, Aspen, the Enescu Festival and the Marlboro Academy; whilst his chamber music collaborators include Janine Jansen, Isabelle Faust, Christian Tetzlaff, Joshua Bell, Nicolas Altstaedt, Steven Isserlis, Kian Soltani, Benjamin Grosvenor, Lars Vogt and Christian Gerhaher, among many others. He also maintains a regular relationship with the Nash Ensemble.
His second album, Music for Viola & Chamber Orchestra: Vaughan Williams, Martinu, Hindemith & Britten with Jamie Phillips and l’Orchestre de Chambre de Lausanne was released to general acclaim in February 2020 on Claves Records. He released his debut album with Champs Hill Records in spring 2017 Henri Vieuxtemps: Complete works for Viola, with pianist Ke Ma.
In 2016 Ridout won 1st Prize in the Lionel Tertis Competition and was selected by Young Classical Artists Trust (YCAT). Other prizes include the 2019 Thierry Scherz Award at the Sommets Musicaux de Gstaad and 1st Prize at the 2014 Cecil Aronowitz Competition.
Born in London in 1995, Ridout studied at the Royal Academy of Music graduating with the Queen’s Commendation for Excellence. He completed his Masters at the Kronberg Academy with Nobuko Imai in 2019 and in 2018 took part in Kronberg Academy’s Chamber Music Connects the World.
He plays on a viola by Peregrino di Zanetto c.1565–75 on loan from a generous patron of Beare’s International Violin Society.
Born in Bilbao (Spain) in 1991, she starts playing the viola at the age of 9 at the Municipal Conservatory of Leioa. She continued her university studies with Professor Ashan Pillai in Barcelona and then finished her master’s degree in interpretation at the Musikhochschule in Freiburg with Professor Wolfram Christ. Since early age, she has been a member of several youth orchestras such as the Youth Orchestra of Euskal Herria, the academy orchestra of the Schleswig Holstein Musik Festival and since 2016 is member of Gustav Mahler Jugendorchester. As for professional experience, she has collaborated in her native country with orchestras such as the Symphonic Orchestra of Barcelona and National of Catalonia, Orchestra of Cadaqués, Symphonic Orchestra of Les Comarques Gironines. Besides, she was practitioner in the Theater und Orchester Heidelberg, and she has collaborating with orchestras like the European Philharmonic of Switzerland and the Lucerne Festival Orchestra, among others. Maite Abasolo worked under the baton of directors such as Krzysztof Urbansky, Manfred Honeck, David Afkhan, Philippe Jordan, Daniel Harding or Riccardo Chailly. She received chamber master classes from quartet Casals, quartet Quiroga and Kennedy Moretti, among others, and she also has participated in several chamber concerts of the Schleswig Holstein Musik Festival and is a member of the Freiburg Kammersolisten.