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"The maturity and sophistication of her thoughtful interpretations would suit pianists twice her age", enthused the venerable Gramophone Magazine about Elisabeth Brauss. Connoisseurs of the Heidelberger Frühling have long known this, of course, as the Hanover-born artist, who was trained there by Elena Levit and others, is a regular guest and absolute audience favorite. Now she returns once again with a solo piano recital that illuminates all facets of her repertoire and her brilliant skills. Alongside delicate, light tones from Schumann, Chopin and Messiaen, Mozart's darkest sonata will be performed - taken to extremes on this evening by the almost obsessive rhythm of Sergei Prokofiev's Seventh Sonata.
+ 7 minutes
The "plus" in the concert: A 7-minute moderated stage talk allows an even deeper encounter with the artists of the evening and sheds light on special aspects of the programme.
Also available by subscription
Elisabeth Brauß
Piano
Béla Bartók
II. Allegro giocoso
III. Andante
IV. Grave
V. Vivo
VI. Lento
VII. Allegretto molto capriccioso
X. Allegro
(from: 14 Bagatelles for piano op. 6)
II. Allegro giocoso
III. Andante
IV. Grave
V. Vivo
VI. Lento
VII. Allegretto molto capriccioso
X. Allegro
(from: 14 Bagatelles for piano op. 6)
Robert Schumann
Arabesque in C major op. 18
Arabesque in C major op. 18
Wolfgang Amadeus Mozart
Sonata No. 9 in A minor KV 310
Sonata No. 9 in A minor KV 310
Olivier Messiaen
Le Baiser de l'Enfant-Jésus
(from: Vingt Regards sur l'Enfant-Jésus)
Le Baiser de l'Enfant-Jésus
(from: Vingt Regards sur l'Enfant-Jésus)
Frédéric Chopin
Fantaisie f-Moll op. 49
Fantaisie f-Moll op. 49
Sergei Prokofiev
Sonata No. 7 in B flat major op. 83
Sonata No. 7 in B flat major op. 83