Playing the good old masterpieces at the highest possible level? That alone is no longer enough for the most ambitious musicians born around the turn of the millennium. They listen to each other intensively, want to question the world – and quickly come up with completely new program ideas. Nevertheless, the canonical scores still serve as a kind of cultural ground station. When the members of the Festivalcampus-Ensemble join forces with the brilliant young pianist Lukas Sternath, it is the rousing piano quintet by the Bohemian Antonín Dvořák from which the carefully curated route begins.