Maurice Steger. Emőke Baráth. Zurich Chamber Orchestra

Wizard on the recorder, charismatic conductor, committed teacher and passionate advocate of early music: Maurice Steger is on the move in many musical missions - preferably all at the same time. And everywhere he goes, the spark of enthusiasm is immediately transmitted to his audience. Together with the Zurich Chamber Orchestra and the Hungarian soprano Emőke Baráth, winner of the OPUS KLASSIK 2019 and an equally passionate interpreter of early music, the Swiss recorder virtuoso creates an exquisite programme of well-known and lesser-known pearls of the Baroque, arranging both arias and instrumental music into a sensual listening pleasure.
This will be followed by an artist talk with Maurice Steger and Anselm Cybinski in the festival center.
Emőke Baráth
Soprano
Maurice Steger
Recorder and conductor
Zurich Chamber Orchestra
Concerto Grosso No. 5 op. 2/5
Motet "Nulla in mundo pax sincera", RV 630
Concerto for recorder No. 11
Recitative “O vane speme!” from the opera “Mitridate Eupatore”
Aria “Cara tomba del mio diletto” from the opera “Mitridate Eupatore”
Aria "No, no di Libia fra l'arene" from the opera "Silla"
Overture from the opera "Elpidia"
Aria "L'augelletto in lacci stretto" from the opera "Didone abbandonata"
Aria “Sol da te, mio dolce amore” from the opera “Orlando furioso,” RV 819
Concerto, RV 114
Aria "Cieli audite" from the oratorio "Serpentes Ignei in Deserto"
Aria "Da tempeste il legno infranto" from the opera "Guilio Cesare"

Is the recorder a day or a night instrument? In the podcast, recorder player Maurice Steger reflects on his "distanceless" instrument and the indescribable state after a concert. And then Maurice Steger gives us a bedtime treat on the way home.
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