Veranstaltungen

Mitten wir im Leben sind/Bach6cellosuiten

A production of Rosas. A coproduction with Ruhrtriennale, La Monnaie / De Munt (Brussel / Bruxelles), Concertgebouw Brugge, Le Theatre de la Ville with Festival d’Automne a Paris, Sadler’s Wells (London), Les Theatres de la Ville de Luxembourg, Opera de Lille, Ludwigsburger Schlossfestspiele, Elbphilharmonie (Hamburg) and Montpellier Danse 2018.

In cooperation mit dem UnterwegsTheater/Kunstlerhaus/HebelHalle

Mitten wir im Leben sind/Bach6cellosuiten

A production of Rosas. A coproduction with Ruhrtriennale, La Monnaie / De Munt (Brussel / Bruxelles), Concertgebouw Brugge, Le Theatre de la Ville with Festival d’Automne a Paris, Sadler’s Wells (London), Les Theatres de la Ville de Luxembourg, Opera de Lille, Ludwigsburger Schlossfestspiele, Elbphilharmonie (Hamburg) and Montpellier Danse 2018.

In cooperation mit dem UnterwegsTheater/Kunstlerhaus/HebelHalle

s t i l l – a Lied play

A cooperation with UnterwegsTheater/Künstlerhaus/HebelHalle

a production by
Bayer Kultur

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

s t i l l – a Lied play

6.45 pm Concert introduction by our Classic Scouts (Newcomer concert)

A cooperation with UnterwegsTheater/Künstlerhaus/HebelHalle

a production by
Bayer Kultur

If you choose to buy tickets for five different events of our »Neuland.Lied«-series by telephone you will recieve 25% discount. Call us from Mo – Fri from 10 am to 6 pm: 0049 (0)6221 – 584 00 44. This discount is not available online.

Anna Lucia Richter © Jessy Lee

Anna Lucia Richter

The Seven Deadly Sins, or Is Lust Really Evil? Pride, covetousness, lust, envy, gluttony, anger and sloth are the seven major transgressions pilloried in the catechism of the Catholic Church. Long unchallenged in their validity, they represented a negative pendant to the Ten Commandments in the Old Testament. Taken together, these two seminal texts were tantamount to a blueprint for the survival of civilised human society. In 1933 Kurt Weill wrote his at the time highly topical ballet “The Seven Deadly Sins” after a libretto by Bertolt Brecht. At the Frühling, excerpts arranged for piano, voice and solo dancer are set off against the premiere of a work by the highly regarded young composer Matan Porat plus some Gregorian chant and songs by Haydn, Schubert and Hugo Wolf.

In cooperation with Frauenbad Heidelberg

 

Jörg Tröger in an interview with Anna Lucia Richter

Anna Lucia Richter © Jessy Lee

Künstler

Anne Teresa De Keersmaeker

In 1980, after studying dance at Mudra School in Brussels and Tisch School of the Arts in New York, Anne Teresa De Keersmaeker (b. 1960) created Asch, her first choreographic work. Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich. De Keersmaeker established the dance company Rosas in Brussels in 1983, while creating the work Rosas danst Rosas. Since these breakthrough pieces, her choreography has been grounded in a rigorous and prolific exploration of the relationship between dance and music. She has created with Rosas a wide-ranging body of work engaging the musical structures and scores of several periods, from early music to contemporary and popular idioms. Her choreographic practice also draws formal principles from geometry, numerical patterns, the natural world, and social structures to offer a unique perspective on the body’s articulation in space and time. In 1995 De Keersmaeker established the school P.A.R.T.S. (Performing Arts Research and Training Studios) in Brussels in association with De Munt/La Monnaie.

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