Zurück zur WebsiteGoran Stevanovich Trio
Maxine Troglauer wanted to learn an instrument that none of the other girls played yet. At the age of six she decided to play the trombone. The specialization in the bass trombone – traditionally a purely male domain – also came early. After two years in New York, the 28-year-old is now one of the outstanding border crossers between jazz, classical and contemporary music. Her colleague Goran Stevanovich originally had piano in mind, but in 1992, when he was six, war broke out in Bosnia and Herzegovina and most of the teachers fled. So he picked up the popular accordion, whose sound he liked so much. Starting from Bosnian folklore, Stevanovich developed into a conceivably independent musician who switches effortlessly between new music, improvisation and brilliant solo literature. When the two team up with percussionist Leonard Senfter, the whole musical world seems to be open to them. No wonder they call themselves "cosmopolitans". It's about much more than miles and more: what they're looking for is poetry and feeling, groove and flow....
Moderated concert without intermission approx. 70 minutes
Goran Stevanovich
Accordion
Maxine Troglauer
Bass trombone
Leonard Senfter
Percussion
Hildegard of Bingen
Variations on "Sicut Malum" (Arr. Stevanovich/Troglauer)
Daniel Schnyder
Teiresias for bass trombone and accordion (Arr. Stevanovich/Troglauer)
John Zorn
Road Runner for accordion
Daniel Schnyder
Rock for Max for bass trombone (for Maxine Troglauer 2020)
Astor Piazzolla
Oblivion for bass trombone and accordion (Arr. Stevanovich/Troglauer)
Milan Zavkov
Ritual in 11/8 for accordion and percussion (Arr. Stevanovich/Senfter)
Mike Svoboda
In thirds from Five Canon Studies for bass trombone and accordion
Olivier Messiaen
O sacrum convivium! for bass trombone and accordion (Arr. Maxine Troglauer)
Mike Svoboda
Unison from Five Canon Studies for bass trombone and accordion
Carlo Gesualdo
Moro, lasso, al mio duolo for bass trombone and accordion (Arr. Maxine Troglauer)
Mike Svoboda
A la Quinta from Five Canon Studies for bass trombone and accordion
Gene Koshinski
SyNc for percussion
Bokani Dyer
Medu (Arr. Maxine Troglauer)
Bojan Krstic
Chochek Bajka for Balkan Trio (Arr. Aleksandar Sedlar)
Meredith Monk (1942)
Change for bass trombone and accordion (Arr. Stevanovich/Troglauer)
