Brahms at the center of a complex network of relationships: the Turkish-German Piano//Duo EnsariSchuch not only traces his Hungarian connections, but also his influence on his Czech colleague Antonín Dvořák, whom Brahms introduced to his own publisher Fritz Simrock - who then ordered the popular "Slavonic Dances", which were based on the model of the famous "Hungarian Dances". Brahms reveals himself as a follower and admirer of Robert Schumann in 1861 in the Variations op. 23, in which he takes up the moving theme of the older colleague's "Ghost Variations," still unpublished at the time.

Piano//Duo EnsariSchuch

Gülru Ensari
Piano

Herbert Schuch
Piano

Antonín Dvořák
Slavonic Dance op. 72,1

Johannes Brahms
Hungarian Dance No. 2

Béla Kéler
Üstökös-Csárdás (Comet Csárdás)

György Kurtág
Hungarian language course for foreigners from the Jatekok cycle (since 1973)

Béla Bartók
Hungarian Peasant Songs No. 11

Johannes Brahms
Hungarian Dance No.11 in combination with Tanju Okan "Deniz ve mehtap"
Hungarian Dance No. 4

György Kurtág
Hommage à Halmágyi Mihály
Basic elements 1 + 2

Béla Bartók
Hungarian Peasant Song No. 2 Andante

Johannes Brahms
Hungarian Dance No. 1
Variations on a theme by Schumann op. 23

Robert Schumann
Piano quintet in the arrangement by Clara Schumann for piano four-hands

Aula of Alte Universität Heidelberg
Grabengasse 1
69117 Heidelberg

Directions by Car

Parking garages: P9 Am Theater, P10 Friedrich-Ebert-Platz, P11 University Library

Directions by Public Transport

Bus line: 31, 32 (bus stop: Universitätsplatz)

The Alte Universität is barrier-free accessible via ramp at the main entrance. The elevator can be found next to the staircase leading to the concert hall on the 1st floor.
More information on accessibility

General Ticket Information

We thank